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From the end of the Civil War through the first half of the 20th century, African Americans received the clear message from the larger society that they were, at best, second-class citizens. After moving from slavery, the very existence of which constituted a denial of their humanity, into segregation, the condition of being separate and notoriously unequal, many American blacks found themselves on the bottom rung of the social and economic ladder, often below recent European and Asian immigrants. A matter of law in the South and an unofficial de facto reality in the North, segregation gave birth to discrimination in jobs, housing, and education. The great migration of the early decades, which brought thousands of southern blacks to industrial centers in the North, appeared, at first, to be the critical breakthrough they were seeking. The spirited, creative flowering of the Harlem Renaissance seemed to suggest a new dawn, but the Great Depression soon eclipsed that light, as economic realities overcame cultural aspirations. With World War II, northern migration again intensified as war production factories offered opportunities for work; with war's end, the principle of "last hired, first fired" saw blacks once again at the bottom of the ladder, still suffering from the same social indignities and humiliations.
Although the psychological damage inflicted on black people in these years before the Civil Rights Movement took its toll in terms of their own self-image and sense of identity, they nevertheless created a distinctive culture. In black hands, the dour Christianity they had absorbed from their slave masters became a deeply emotional, passionate expression of suffering and joy, captured in soulful spirituals and plaintive gospel music. In the secular world, jazz improvisation gave full rein to the full experience of freedom otherwise denied to them, while the blues rendered the painful conditions of existence into a form of creative play. In the 1920s, jazz entered the American mainstream and transformed the culture, shattering its ties with the Puritan past. From there, jazz assumed worldwide cultural influence, reflected, for example, in Jean-Paul Sartre's Nausea and Haruki Murakami's After the Quake.
The onset of the Civil Rights Movement of the 1950s produced significant changes, notably in the elimination of legal segregation in the South and in fostering racial pride, expressed in the slogan "Black Is Beautiful." But a major reason for the movement's success was no doubt the deep, rich culture out of which it grew.
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