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A former member of an elite military corps, neurochemically treated criminal Takeshi Kovacs operates on Harlan's World, hundreds of light years from Earth, a planet he has never visited. Killed by commandos in the aftermath of a sting, Kovacs's consciousness is digitally frozen, the equivalent of prison in the twenty-sixth century. Only the poor die now: the majority of people have their personality backed up regularly and recorded in microstacks embedded in the flesh at the back of the neck, ready to be retrieved and 'resleeved' in a new body that previously belonged to someone else, the original owner in penal storage or actually dead.

Kovacs's mind is beamed across space at high speed to Earth via a needle cast transmission and downloaded into a new sleeve. One of the mega-rich near immortals known as 'Meths' is willing to offer Kovacs a deal for some detective work - the supersoldier must find out who murdered his now resurrected client and why, the prize being early release from a century of penal stasis and a handsome fee. Ripping along at a high-adrenalin pace for all of its 500-plus pages, Altered Carbon is a skydive rush of a novel that combines the hyperreal glitter of the best cyberpunk with the compulsive quality of bestseller-list thrillers. Much has been made of the book's debt to noir fiction, but a contemporary hardboiled writer like James Crumley would be a more fitting comparison than the more chivalric Raymond Chandler, given Morgan's penchant for extreme violence, explicit sex and Gordian-knot plotting.

A supreme example of how authentic cyberpunk can enliven (and be enlivened by) an angle that would not be out of place in a Hollywood blockbuster, Altered Carbon is a refreshing British alternative to the worthy yet sometimes dull 'sense of wonder' hard SF that otherwise dominates the contemporary genre scene. Anyone who enjoyed Neuromancer and the films The Bourne Identity and The Matrix needs to catch up with Richard Morgan.

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