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Returning from a trip to London, author Richard Gayford and his wife find the road to Midwich barred by the authorities. No one who has entered the village for twenty-four hours has returned. Determined to get home, the Gayfords sneak across a field. The next thing the couple know, they are hauled, unconscious, back across an invisible barrier - a huge bubble of odorless gas appears to have settled over Midwich. Suddenly dissipating, the gas seems to leave the rural community relatively unharmed, until it becomes clear several months later that every woman of childbearing age in Midwich is pregnant. Gayford and local philosopher Zellaby observe the phenomenon in a semi-official capacity. Soon the babies are born, perfect apart from their golden eyes. Gradually it becomes clear to the residents of Midwich that the cuckoo children are a unique brood indeed, capable of imposing their will upon their host parents. As their power grows with age, the village ineffectually debates the morality of what should be done about these strangers.

John Wyndham had already electrified Britain and America with three compelling bestsellers when he produced his finest novel. Prior to this he had written numerous novels and short stories for the US pulps before modifying his approach to that of the traditional English novel: The Day of the Triffids, The Kraken Wakes and The Chrysalids found Wyndham a wide audience outside the magazines among general readers who found his familiar settings, genteel prose and sheer Englishness to be all they needed to enjoy science fiction. By making the genre palatable again, Wyndham helped remind the mainstream of the long history of SF before the pulps, connecting them with the tradition of Wells, Huxley and Orwell. Throughout the sixties, when his critical reputation (if not his popularity) waned, Wyndham became regarded as a somewhat conservative purveyor of 'cosy catastrophes', inward-looking Empire-in-decline metaphors. But Wyndham held a massive influence over English New Wave writers and it is now recognized that he was in fact a Darwinist with some expedient ideas of how to deal with intra-species conflicts, as the unsentimental climaxes of The Chrysalids and The Midwich Cuckoos make plain. His eminently readable and entertaining work remains relevant today as the West struggles with complex issues of post-imperialism, multiculturalism and terrorism.

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